Nathan Fielder’s surprise Elizabeth Holmes documentary debuts at Telluride
A documentary titled 'You Can See Everything,' directed by Lance Oppenheim and featuring comedian Nathan Fielder, premiered at the Telluride Film Festival. The film offers an intimate portrayal of Elizabeth Holmes, founder of Theranos, and her partner Billy Evans, focusing on their interactions with Fielder during the final days before Holmes' 2023 federal prison sentencing. The documentary includes recreated scenes of Fielder communicating with Holmes from within prison, using an unknown A-list actress. Fielder expresses confusion over his involvement with Holmes and Evans, questioning the authenticity of her claims regarding Theranos. The film explores the complex dynamics between Holmes and Evans, suggesting parallels to her past relationship with Sunny Balwani, who was convicted of fraud related to Theranos.
Secret Elizabeth Holmes Documentary Debuts at Film Festival A new documentary about Theranos founder Elizabeth Holmes, currently serving an 11-year prison sentence for defrauding investors, premiered unexpectedly at the Telluride Film Festival in Colorado. The film, titled You Can See Everything, was co-directed by comedian Nathan Fielder and documentary filmmaker Lance Oppenheim. It offers an intimate look at Holmes and her partner, Billy Evans, during the 34 days leading up to her incarceration in May 2023. The screening took place in a 650-seat theater, with attendees instructed to lock their phones away and refrain from sharing details about the film. The documentary was shrouded in secrecy throughout its production. Organizers of the Telluride Film Festival, known for its surprise premieres, worked diligently to maintain confidentiality. Festival director Julie Huntsinger hinted at the film's involvement of “very known names” but gave little else away. Speculation among festivalgoers ranged from Aaron Sorkin’s upcoming project to a restored version of Jerry Seinfeld’s Bee Movie. The buildup culminated in a highly anticipated screening, with security measures in place to ensure the film remained undisclosed. Fielder, known for his deadpan humor and unconventional storytelling on shows like Nathan for You and The Rehearsal, spent time living in the couple’s guesthouse during filming. He described the experience as deeply unsettling, noting his struggle to understand why he was invited to document their lives. “I’m struggling to this day to understand exactly what I experienced,” he said during a post-screening Q&A. “I don’t know why they want me there. I’m a weird guy. I don’t get it. That messed with my head.” The film captures Holmes and Evans engaging in what they describe as “radical transparency,” allowing the camera crew into their daily routines. Scenes include the couple discussing business plans for a potential “Theranos 2.0” venture while Holmes is in prison, walking on the beach at sunset, and preparing breakfast. One particularly revealing moment involves Evans allowing the crew to film him showering fully nude. Holmes, who claims she never lied about Theranos’ capabilities, repeatedly questions Fielder about her alleged deceptions. “Why would I deceive you?” she asks. “There’s no reason for me to do that.” However, the film raises questions about the extent of her awareness regarding Evans’ actions, including his apparent role in managing her social media presence and making key business decisions. These dynamics draw comparisons to her past relationship with Ramesh “Sunny” Balwani, her ex-boyfriend and former COO of Theranos, who is serving a 12-year prison sentence for wire fraud and conspiracy. Fielder’s involvement in the film extends beyond observation. Some scenes depict him interacting with Holmes off-camera, including during her incarceration in Texas. These segments are recreated using an A-list actress, whose identity remains undisclosed. Fielder noted that the actress’s presence became a central element of the narrative, though he requested that attendees avoid revealing her identity. The documentary also explores Holmes’ emotional state as she prepares for prison. In one scene, she cries on the phone while learning about her living conditions and asks, “What is an invasive strip search?” The film portrays her grappling with the implications of her conviction, which was upheld after multiple failed appeals and a rejected request for presidential clemency. During the Q&A session, hosted by actor Emma Stone, Fielder mentioned that Holmes and Evans had not yet viewed the finished film. However, they had been in regular contact with the filmmakers. “Billy was trying to exert a lot of control,” Fielder said. “It caused our communication to break down. The challenging thing is he’s still sort of the conduit to her.” A24, the independent studio behind the film, plans to release You Can See Everything in theaters in October. The documentary marks another chapter in the ongoing public scrutiny of Holmes, following unauthorized media coverage, including a fictionalized Hulu series starring Amanda Seyfried. Fielder expressed surprise at the level of interest in the story, stating, “I thought the story was fully told.” Yet, his curiosity led him to document the couple’s lives, resulting in a film that blurs the lines between reality and performance.
Go to the primary sources (2)
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A new documentary titled 'You Can See Everything' premiered at the Telluride Film Festival, offering a behind-the-scenes look at Elizabeth Holmes, founder of Theranos, during the final months before her 2023 sentencing. The film, directed by Nathan Fielder and Lance Oppenheim, captures Holmes and her husband Billy Evans in the 34 days leading up to her incarceration for fraud related to her blood-testing claims. Holmes' legal appeals have been unsuccessful, and her request for presidential clemency under former President Trump remains pending. The documentary was presented as a surprise, with attendees unaware of its content until they entered the theater. It is set for a wider release by A24 in October.
Bias read (Center): The article presents factual information about Elizabeth Holmes' legal situation and the documentary's production without overtly favoring any political stance. While the subject involves a high-profile criminal case and potential executive clemency, the framing remains neutral, focusing on the film
Why factuality (85): The article accurately describes the status of Elizabeth Holmes' clemency petition as 'pending' and aligns with the primary source document's definition of 'Pending'. It also provides contextual background about her sentencing and legal history.
Why objectivity (80): The article presents information in a neutral tone, focusing on facts about the documentary and Holmes' legal situation without overtly expressing personal opinions or biases.
A documentary titled 'You Can See Everything,' directed by Lance Oppenheim and featuring comedian Nathan Fielder, premiered at the Telluride Film Festival. The film offers an intimate portrayal of Elizabeth Holmes, founder of Theranos, and her partner Billy Evans, focusing on their interactions with Fielder during the final days before Holmes' 2023 federal prison sentencing. The documentary includes recreated scenes of Fielder communicating with Holmes from within prison, using an unknown A-list actress. Fielder expresses confusion over his involvement with Holmes and Evans, questioning the authenticity of her claims regarding Theranos. The film explores the complex dynamics between Holmes and Evans, suggesting parallels to her past relationship with Sunny Balwani, who was convicted of fraud related to Theranos.
Bias read (Center): While the documentary touches on politically sensitive topics like corporate fraud and legal convictions, the framing remains largely neutral. It presents both Holmes' assertions and the broader context of her legal troubles without overtly endorsing or condemning either side. The focus is on the en
Why factuality (85): The article correctly identifies the clemency petition as 'pending' and matches the primary source document's description. It also provides accurate details about the documentary and Holmes' legal proceedings.
Why objectivity (80): The article maintains a neutral tone, discussing the documentary and legal matters without injecting personal commentary or emotional language.
The Telluride Film Festival surprised attendees with a highly anticipated documentary titled 'You Can See Everything,' co-directed by Nathan Fielder and Lance Oppenheim. The film focuses on Elizabeth Holmes, the former CEO of Theranos, who was convicted of fraud. The festival took extensive measures to maintain secrecy, including locking phones in pouches and using security personnel with night-vision equipment. The documentary provides rare access to Holmes' life during the months leading up to her incarceration, aiming to challenge public perceptions of her.
Bias read (Center): The article presents a factual account of the film screening and its significance without overtly favoring any political stance. It describes the event's organization and the documentary's content objectively, focusing on the narrative and context rather than taking a clear ideological position.
Why factuality (85): The article accurately states that the clemency petition is 'pending' and aligns with the primary source document. It also provides relevant context about the documentary and Holmes' legal status.
Why objectivity (80): The article presents information objectively, focusing on the events surrounding the documentary and legal proceedings without showing clear bias or emotional involvement.
CBS News (US)IndependentCenterFactual: no official source document/info detectedObjective 09/8/2026
A new documentary featuring Elizabeth Holmes, the former Theranos CEO who is currently serving an 11-year prison sentence for investor fraud, has premiered at a film festival. The documentary was co-created by an absurdist comedian. The piece highlights Holmes' legal troubles and her role as the central figure in this new production.
Bias read (Center): The article presents factual information about Elizabeth Holmes' legal status and the release of a documentary about her without overtly favoring any particular perspective. It does not include biased language, one-sided sourcing, or editorializing that would indicate a clear ideological lean.
Why factuality: no official source document/info detected
Why objectivity (0): As this article is about a different topic entirely, it does not present any opinion or bias related to the clemency case status.
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