The article discusses an art exhibition titled 'Abismos' by Argentine artist Claudia Aranovich, showcasing works created over a decade. The exhibition includes light spheres, collages, installations, pressed botanical specimens, and a video. It explores themes of uncertainty, sustainability, and the relationship between humans and nature. The exhibition is curated by Laura Casanovas and features a tribute to Aranovich's late partner, Eduardo Gualdoni. The artworks incorporate elements like trees embedded in old wooden doors, herbarium pages, bee hives, and bio-spheres, inviting viewers to reflect on deeper existential and environmental issues. Aranovich explains that some pieces were previously unseen, including 'Abismo agua,' which she describes as a liquid-like resin installation symbolizing an infinite abyss.
Bias read (Center): The article focuses on an art exhibition and does not engage with politically charged topics such as government, politics, or social policies. As such, it is considered apolitical and therefore has a neutral lean.






