Manson was performing at the arena, and there was a prayer going on outside, and he said, "I don't like drugs, she loves me".

Net.hrIndependentCenter3 hr. ago

Security personnel at last night's Marilyn Manson concert in Zagreb's Arena had a busy time checking attendees' belongings before entry. Although the event passed peacefully without incidents, security removed potentially dangerous items such as jewelry, belts, and clothing with sharp metal points. Photos of these confiscated items were published by Jutarnji list. The dark and provocative fashion choices of Manson's fans are well known and have become part of his concert identity. Many female fans stood out with their bold style, wearing creative black outfits, lace, and leather. This was part of Manson's highly anticipated global tour 'One Assassination Under God'.

Bias read (Center): The article reports on a concert security procedure without taking a stance on any political issue. It focuses on the event itself and the fashion choices of attendees, which are not inherently politically charged.

Jutarnji listIndependentCenter4 hr. ago

At last night's concert by Marilyn Manson in Zagreb's Arena, security personnel were tasked with confiscating potentially dangerous clothing items such as spiked bracelets and belts from attendees. These items are common at Manson's concerts, particularly among female fans who often dress in black with high heels, mesh pants, corsets, and heavy makeup. Security collected these items at the venue entrance, though it remains unclear if they were returned afterward. The concert was part of Manson's 'One Assassination Under God' tour and drew attention from religious groups advocating a boycott.

Bias read (Center): The article focuses on cultural aspects of a music event and does not engage with political issues, officials, or public policy. It provides factual information about the concert and security measures without taking a stance or showing bias.

Net.hrIndependentCenter9 hr. ago

Controversial American musician Marilyn Manson (57) performed at Zagreb's Arena on Thursday night, entertaining a lively audience. His first return to Croatia in over 20 years was part of his 'One Assassination Under God' tour. Outside the venue, two men led prayers while another preached using a loudspeaker, engaging with police. Manson's concert featured a minimalist stage setup with no large screens, focusing on music and direct interaction. He performed new material including 'Exit Wound,' and highlighted his most iconic songs like 'The Beautiful People.' During the show, he addressed drug use, stating, 'I don't like drugs, but drugs love me. You're lucky I'm your drug!' The event concluded peacefully with fans hoping for an encore.

Bias read (Center): While the article mentions religious activities outside the concert and references drug use, which could be seen as politically charged topics, the overall framing remains neutral. It reports on the event without overtly favoring any particular ideological stance. The focus is on the performance and

Jutarnji listIndependentCenter14 hr. ago

The article describes a concert by Marilyn Manson held in Zagreb, where the audience reacted strongly to his performance. The author notes the intense atmosphere, comparing the event to a 'satanic ritual' due to the band's dark themes and the crowd's enthusiastic response. Despite past controversies and a two-decade absence from Croatia, Manson's return was met with significant attention. The piece highlights the contrast between expectations and the actual performance, noting the band's unique blend of gothic rock and death-pop, as well as the emotional impact on the audience. The author reflects on their personal experience, acknowledging both the intensity of the show and their mixed feelings toward Manson’s music.

Bias read (Center): The article does not discuss political issues, policies, or public figures in a politically charged context. It focuses on a cultural event—Marilyn Manson's concert—and analyzes the artistic and emotional aspects of the performance. There is no overt ideological framing or emphasis on political ston

Index.hrIndependentCenteryesterday

The article describes the fashion choices of fans attending a Marilyn Manson concert at the Zagreb Arena. It highlights the dark aesthetic associated with Manson's music, including black clothing, gothic-inspired outfits, tattoos, chains, and other alternative style elements. The event was part of his 'One Assassination Under God' tour, and the visual presentation of the audience reflects the cultural identity linked to his performances.

Bias read (Center): The article focuses on describing the fashion and visual aesthetics of a concert audience, which is a cultural and artistic expression rather than a politically charged issue. There is no indication of ideological bias or partisan framing in the reporting.

Net.hrIndependentCenteryesterday

The article describes the highly anticipated Marilyn Manson concert in Zagreb, highlighting the enthusiastic atmosphere and the creative fashion choices of attendees. Fans dressed in gothic styles, leather, mesh details, striking makeup, and dramatic accessories filled the area around the venue, showcasing their individuality. The event is portrayed as both a musical performance and a visual spectacle, emphasizing the unique fashion expressions of the audience.

Bias read (Center): The article focuses on cultural aspects related to a music event and does not engage with politically charged topics. It presents a balanced description of the event without taking a clear ideological stance.

Večernji listIndependentCenteryesterday

The article describes the atmosphere before Marilyn Manson's concert at the Zagreb Arena, highlighting the fans' appearance and the overall aesthetic of dark, provocative style. It notes the attendees' costumes and the theatrical nature of the event, emphasizing Manson's influence beyond music into pop culture. The piece mentions the ongoing debate around his performances, including religious rhetoric and calls for avoiding the concert. It also discusses the ambiguity of Manson's identity, where some see him as a symbol of freedom of expression while others view him as a figure of decadence and provocation.

Bias read (Center): The article presents a balanced discussion of the cultural and social reactions to Marilyn Manson's performance without overtly favoring any particular political stance. While it acknowledges the controversy surrounding his work, it does not take a clear ideological position, instead focusing on the