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Face IQ 160: Luca Peros about the secret of 'La Case de Papel' and the man who disturbs his peace
Croatia🏛️ PoliticsCenter4 days ago

Face IQ 160: Luca Peros about the secret of 'La Case de Papel' and the man who disturbs his peace

The article discusses Croatian actor Luka Peroš's role in the comedy series 'IQ 160,' where he portrays Inspector Tomislav Ramljak, a meticulous and methodical police officer. Peroš explains how his character's orderly life is disrupted by the arrival of Marine Kapov, a highly intelligent cleaner who becomes his police colleague. The series is based on a successful French format but incorporates a local spirit through Peroš and co-star Dajana Čuljak's contributions. Peroš highlights the challenges of performing in multiple languages, particularly French, which he finds difficult. The article emphasizes the contrast between the two characters' worlds and the comedic conflicts that arise from their interactions.

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Net.hr logoNet.hrIndependentCenter4 days ago
Face IQ 160: Luca Peros about the secret of 'La Case de Papel' and the man who disturbs his peace

The article discusses Croatian actor Luka Peroš's role in the comedy series 'IQ 160,' where he portrays Inspector Tomislav Ramljak, a meticulous and methodical police officer. Peroš explains how his character's orderly life is disrupted by the arrival of Marine Kapov, a highly intelligent cleaner who becomes his police colleague. The series is based on a successful French format but incorporates a local spirit through Peroš and co-star Dajana Čuljak's contributions. Peroš highlights the challenges of performing in multiple languages, particularly French, which he finds difficult. The article emphasizes the contrast between the two characters' worlds and the comedic conflicts that arise from their interactions.

Bias read (Center): The article focuses on a television show and an actor's performance, discussing creative choices and cultural adaptation rather than taking a clear ideological stance. While it mentions societal themes like gender emancipation, it does not frame them in a politically charged manner. The tone remains

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