The article discusses two art exhibitions taking place in Madrid during the summer season. The first exhibition, titled 'Siempre, todavía' by Antonio Montalvo at Espacio Mínimo, features a collection of oil paintings depicting everyday scenes and nude figures, painted directly from life. The works evoke a sense of melancholy and transience, with minimal brushwork that seems to make the images fade into transparency. The second exhibition, 'La casa que no existe' by Irene González at Galería Silvestre, presents small square drawings reminiscent of Polaroids, focusing on domestic fragments with windows and thresholds, some inspired by Tarkovsky's films. Both exhibitions are described as creating intimate, introspective experiences for viewers.
Bias read (Center): The article focuses on art exhibitions and does not address politically charged topics such as government policies, elections, or social issues. It provides a descriptive and analytical overview of artistic techniques and themes without taking a clear ideological stance.




