The article discusses an art exhibition at Gutshaus Steglitz in Berlin featuring works by artists Antje Majewski and Jen Tiger, focusing on the Osage Orange tree and its historical and cultural significance. The exhibition explores themes of migration, colonialism, and ecological transformation through the lens of the Osage people, an Indigenous nation originally from the southern United States. Majewski’s research began in 2008 when she encountered the Osage Orange fruit while working on a science fiction project. Her interest evolved into a long-term research-based project examining the history of the Osage Nation, including their displacement during the 19th century and the destruction of bison populations to force sedentariness. The exhibition includes video work by Raymond Lasley, an Osage elder who crafts traditional bows from Osage wood, recounting the tribe’s forced removal and loss of land. It also highlights the Osage Nation’s ongoing efforts to repurchase their ancestral lands and the broader impact of colonization on their knowledge systems and ways of life.
Bias read (Progressive): The article frames the Osage Nation's experiences within the context of colonialism, displacement, and systemic oppression, emphasizing the historical and ongoing struggles faced by Indigenous peoples. It highlights the Osage Nation's efforts to reclaim their land and preserve their cultural and ecó





