Jacques is worried his troupe will defect while performing in Brisbane. He’s only half joking

The AgeIndependentProgressive3 hr. ago

Jacques Heim, the founder and creative director of the Los Angeles-based performance company Diavolo: Architecture in Motion, discusses his concerns about potential defections by his troupe during a performance in Brisbane as part of the Brisbane Festival. Heim shares his background as a former rebel and performer, highlighting his company's innovative approach to dance and performance art. He references the challenges faced by artists in the United States, particularly under the Trump administration, which cut funding to the National Endowment for the Arts in 2025. He mentions the influence of his grandfather, a pioneering fashion designer, and expresses his complex relationship with America, acknowledging both its opportunities and current issues.

Bias read (Progressive): The article frames the discussion around the challenges faced by artists in the United States, particularly referencing the Trump administration's actions against the arts. This framing highlights criticism of U.S. government policies affecting cultural sectors, aligning with left-leaning critiques.

The Sydney Morning HeraldIndependentProgressive3 hr. ago

Jacques Heim, founder of the performance group Diavolo: Architecture in Motion, discusses his upcoming show 'Escape' at the Brisbane Festival. Heim reflects on his background as a rebellious youth in France, his move to the U.S., and the influence of his grandfather, a pioneering fashion designer. He describes 'Escape' as a surreal journey inspired by dissatisfaction with the current state of the world, particularly criticizing the American government's policies toward the arts. Heim notes challenges faced during rehearsals, including encounters with ICE agents, and expresses mixed feelings about the U.S., acknowledging both its opportunities and its shortcomings.

Bias read (Progressive): The article includes critical commentary on the U.S. government's policies towards the arts, specifically mentioning the Trump administration's cuts to the National Endowment for the Arts. This criticism frames the narrative through a progressive lens, highlighting concerns over governmental support