Australia🏛️ PoliticsProgressiveOverlooked by conservatives
Jacques is worried his troupe will defect while performing in Brisbane. He’s only half joking
Jacques Heim, the founder and creative director of the Los Angeles-based performance company Diavolo: Architecture in Motion, discusses his concerns about potential defections by his troupe during a performance in Brisbane as part of the Brisbane Festival. Heim shares his background as a former rebel and performer, highlighting his company's innovative approach to dance and performance art. He references the challenges faced by artists in the United States, particularly under the Trump administration, which cut funding to the National Endowment for the Arts in 2025. He mentions the influence of his grandfather, a pioneering fashion designer, and expresses his complex relationship with America, acknowledging both its opportunities and current issues.
Jacques Heim, the founder and creative director of Diavolo: Architecture in Motion, expressed concerns that his troupe might defect during a performance in Brisbane. He made the remark in a lighthearted tone, suggesting that the situation could be more serious than it appears. The concern arose amid the company's participation in the Brisbane Festival, where it is showcasing its latest production, Escape. Escape, a spectacular production from Los Angeles, features 22 performers engaged in daring feats involving large geometric props that roll, pivot, and swing. The show follows a group of individuals as they attempt to escape from their mundane lives into a surreal landscape filled with infinite possibilities. Heim described the inspiration behind the piece as a reaction to the current state of affairs in the United States, particularly regarding the treatment of the arts under certain administrations. He noted that the Trump administration cut funding to the National Endowment for the Arts in 2025, contributing to his sense of urgency to create work that reflects a desire to break free from perceived constraints. Heim, who is 62 years old, is known for his charisma and tendency to use personal names for emphasis. He describes himself as a self-proclaimed rule-breaker with a boyish appearance and a confident demeanor. Born in France, he left his homeland due to his rebellious nature, eventually settling in America where he found opportunities for artistic expression. His grandfather, also named Jacques, was a notable figure in postwar fashion, introducing the two-piece swimsuit known as the Atome, which prefigured the modern bikini. This legacy of innovation and disruption seems to influence Heim's approach to art. Heim's journey began in the late 1970s when he attended Middlebury College in Vermont, initially pursuing acting. However, his limited proficiency in English led him to explore dance instead, a decision that proved transformative. He later studied dance at CalArts, where he founded Diavolo. The company's early works focused on integrating architecture and movement, developing a unique style that blends elements of dance, circus, and acrobatics without fully aligning with any single category. In 2005, Heim gained recognition when he was invited to direct Cirque du Soleil's show Kà, which continues to run at the MGM Grand in Las Vegas. He humorously referred to this experience as his "PhD," acknowledging the challenges he faced, including being close to being fired multiple times. Despite these difficulties, he maintains that Diavolo is distinct from traditional circus companies, emphasizing that danger in their performances is intentional and thematic rather than accidental. During the creation of Escape, Heim encountered unexpected obstacles, including the presence of Immigration and Customs Enforcement (ICE) agents in his studio. This incident underscores the broader tensions he feels toward the political climate in the United States, which he believes has shifted significantly since his arrival over three decades ago. While he acknowledges the opportunities afforded to him by America, he expresses a genuine concern about the changing environment. As Diavolo prepares to perform in Brisbane, the company faces both excitement and uncertainty. The performance promises to showcase the innovative spirit that defines Heim's work, blending physicality, creativity, and a critique of contemporary societal issues. The troupe's ability to navigate potential challenges, including the possibility of defection, will be crucial to the success of the show.
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Jacques Heim, the founder and creative director of the Los Angeles-based performance company Diavolo: Architecture in Motion, discusses his concerns about potential defections by his troupe during a performance in Brisbane as part of the Brisbane Festival. Heim shares his background as a former rebel and performer, highlighting his company's innovative approach to dance and performance art. He references the challenges faced by artists in the United States, particularly under the Trump administration, which cut funding to the National Endowment for the Arts in 2025. He mentions the influence of his grandfather, a pioneering fashion designer, and expresses his complex relationship with America, acknowledging both its opportunities and current issues.
Bias read (Progressive): The article frames the discussion around the challenges faced by artists in the United States, particularly referencing the Trump administration's actions against the arts. This framing highlights criticism of U.S. government policies affecting cultural sectors, aligning with left-leaning critiques.
Why factuality (45): The article contains significant factual inaccuracies. It mentions Simon Cowell commenting on Diavolo's performance on America's Got Talent in 2017, but this information is not present in the primary source document. The article also fabricates quotes and details about Jacques Heim's background and
Why objectivity (30): The tone of the article is highly subjective and anecdotal, focusing on Jacques Heim's personality rather than presenting objective information about the event. The use of phrases like 'charismatic talker' and 'natural showman' suggests a biased portrayal of Heim, lacking neutrality.
Jacques Heim, founder of the performance group Diavolo: Architecture in Motion, discusses his upcoming show 'Escape' at the Brisbane Festival. Heim reflects on his background as a rebellious youth in France, his move to the U.S., and the influence of his grandfather, a pioneering fashion designer. He describes 'Escape' as a surreal journey inspired by dissatisfaction with the current state of the world, particularly criticizing the American government's policies toward the arts. Heim notes challenges faced during rehearsals, including encounters with ICE agents, and expresses mixed feelings about the U.S., acknowledging both its opportunities and its shortcomings.
Bias read (Progressive): The article includes critical commentary on the U.S. government's policies towards the arts, specifically mentioning the Trump administration's cuts to the National Endowment for the Arts. This criticism frames the narrative through a progressive lens, highlighting concerns over governmental support
Why factuality (45): This article is nearly identical to the first and contains the same factual inaccuracies. It includes fabricated quotes and references to Simon Cowell that are not found in the primary source document. It also lacks any mention of the actual participants or roles listed in the primary source, making
Why objectivity (30): Like the first article, this piece maintains a similarly subjective tone, emphasizing Jacques Heim's personal characteristics over providing balanced or neutral reporting. The lack of objective information about the event itself further reduces its objectivity score.
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