With a large exhibition of Vlaste Delimar's work: the city as the interlocutor to which the body addresses
The exhibition 'Vlasta Delimar: Riječani, provjerite jeste li živi' opened at Galerija Kortil, curated by Katerina Jovanović and Sabina Oroshi. The exhibition explores themes such as female identity, intimacy, aging, gender relations, and women's social position, highlighting Delimar's work that focuses on women's freedom, human rights, and acceptance of diversity. Delimar's art has historically addressed issues now considered mainstream, often challenging societal norms and sparking dialogue. The exhibition is part of a broader multi-location project dedicated to Delimar, who recently celebrated her 70th birthday with a performance titled 'Dostojanstvo starenja.' The exhibition runs until August 14th and examines the body as a site of social norms and power dynamics, drawing on philosophical references like Merleau-Ponty and Foucault.
A contemporary art initiative titled "Još ne., In Absence of a Map" has transformed Kraljevica into a hub for international artistic collaboration and experimental performance. The project, organized under the 3RD-SPC./RP platform, began on Thursday evening with an audiovisual installation called "Reflected territories/Svjetlo Urinja," projected onto floating objects in the Adriatic Sea off the coast of Carovo near the Frankopan Palace. The event marked the sixth edition of the platform, which brings together artists from Croatia and other European countries to explore themes of orientation in a time where traditional political, social, and personal coordinates have become unreliable. The installation, created by sixteen artists including Silvia Amancei, Bogdan Armanu, Jasmina Cibic, and Gregor Schneider, used the sea as both canvas and medium. Waves, wind, and water became integral components of the visual display, reflecting light in ever-changing patterns against the backdrop of the Urinj refinery. This immersive experience was followed by a series of performances and exhibitions over the following days, blending modern art with historical architecture and local traditions. On Friday night, the Frankopan Palace opened its doors to an exhibition featuring works by Klaus Kleine, Christian Gode, Neli Ružić, Selma Selman, and Branimir Štivić. Each artist contributed pieces that engaged directly with the palace’s historic structure and natural surroundings. Kleine presented an installation made of earth, textiles, and metal, while Gode intervened in the physical space itself. Štivić's piece, "KOPNO: Artefakt °0Z26," combined sound and video to evoke an imaginary artifact from a lost civilization. Selma Selman’s work, "Mercedes Matrix," turned the act of disassembling a car into a performative gesture symbolizing female autonomy. Later that evening, the atrium of the Frankopan Palace hosted a chess-based performance titled "Extended Play/Tableau Vivant." Instead of traditional chess figures, members of the local community, dancers from the Kraljevica Dance Club, and players from the Kraljevica Chess Club took their positions on a large chessboard. Ema Hajdinić and Till Bödeker played the game, accompanied by live music performed by Andrea Plovanić on the step and Clemens Botho Goldbach on drums. This unique fusion of contemporary art and the city’s long-standing chess tradition highlighted the evolving cultural landscape of Kraljevica. An utopian series of postcard prints titled "Postcards from the unperformed/Kraljevica series (2026)" by Lars Breuer and Manuela Fersen will remain on display in the Frankopan Palace until December 31. These artworks, distributed throughout public spaces in Kraljevica, reflect on the interplay between real and imagined experiences. The exhibition is open from Tuesday to Sunday between 10 AM and 8 PM. The Kraljevica segment of the project serves as the first chapter of a broader initiative that will continue in Germany and Rijeka. The second phase begins in November 2026 with an exhibition opening at the Kunsthaus NRW Kornelimünster in Germany, running through February 28, 2027. Further developments are planned for 2028 in Rijeca. Organizers emphasize that the project evolves dynamically as it transitions into new geographical and social contexts rather than simply relocating a static exhibition. The initiative underscores Kraljevica’s role not just as a setting but as an active participant in the artistic process, using its coastal location, historic buildings, and communal spaces to create a dialogue between past and present. Artists and organizers alike view this as an opportunity to reimagine how cities can function as living canvases for creative expression.
The article describes the sixth edition of the 'Još ne. - In Absence of a Map' art project held in Kraljevica, Croatia, which explores themes of orientation and identity in a world lacking stable references. The event featured an exhibition at Frankopan Palace, projections on the sea, and a live chess performance involving local community members and artists. The project, part of the 3RD-SPC/RP platform, brings together artists from Croatia and other European countries, using the city and its landmarks as active participants in the artistic interventions. The initiative continues in Germany and Rijeka, highlighting interdisciplinary collaborations between contemporary art and traditional cultural elements like chess.
Bias read (Center): The article focuses on a cultural and artistic event with no political implications. It discusses an international art project, emphasizing creative expression, collaboration, and the role of public spaces in artistic endeavors. There is no mention of politics, governance, or societal conflict, and
Why factuality (85): The article provides detailed information about the 'Još ne. - In Absence of a Map' project, including the location, participants, and specific artworks. It accurately describes the nature of the exhibition and the themes explored, aligning with the cross-source consensus that this was an art event
Why objectivity (90): The tone remains neutral and informative, presenting the event as a cultural initiative without overt bias. The language is descriptive but avoids emotional or subjective commentary, maintaining a balanced perspective throughout.
Novi listIndependentCenterFactual 85Objective 908/11/2026
The article announces an art program taking place in Kraljevica during late August, featuring contemporary art installations and performances. The event begins on Thursday, August 13th, with an audiovisual installation titled 'Reflected territories/Svjetlo Urinja' under the Frankopan Palace. International artists such as Silvia Amancei, Bogdan Armanu, and others are participating. On Friday, August 14th, an exhibition called 'Još ne. – In absence of a map' opens at the palace, followed by a chess performance titled 'Extended play/Tableau vivant' involving local dancers and club members. Additionally, an utopian series of postcards by Lars Breuer and Manuela Fersen will be displayed at the palace until December 31st.
Bias read (Center): The article discusses a cultural event focused on contemporary art and does not involve any political figures, policies, or contentious issues. It provides factual information about the event, including dates, locations, and participants, without showing any ideological bias or framing that would sl
Why factuality (85): The article provides detailed information about an art program in Kraljevica, including dates, times, locations, participating artists, and specific installations. While there is no primary source document, the information aligns with typical event announcements and matches details from other source
Why objectivity (90): The tone remains neutral and informative, presenting the event as a cultural activity without expressing personal opinions or biases. The language is descriptive and objective, focusing on the facts of the event rather than taking sides or adding subjective commentary.
Novi listIndependentCenterFactual 85Objective 908/9/2026
The exhibition 'Vlasta Delimar: Riječani, provjerite jeste li živi' opened at Galerija Kortil, curated by Katerina Jovanović and Sabina Oroshi. The exhibition explores themes such as female identity, intimacy, aging, gender relations, and women's social position, highlighting Delimar's work that focuses on women's freedom, human rights, and acceptance of diversity. Delimar's art has historically addressed issues now considered mainstream, often challenging societal norms and sparking dialogue. The exhibition is part of a broader multi-location project dedicated to Delimar, who recently celebrated her 70th birthday with a performance titled 'Dostojanstvo starenja.' The exhibition runs until August 14th and examines the body as a site of social norms and power dynamics, drawing on philosophical references like Merleau-Ponty and Foucault.
Bias read (Center): While the exhibition addresses sensitive topics related to gender and social norms, which could be seen as politically charged, the article presents the content objectively without overtly favoring any particular ideological stance. It discusses Delimar's artistic contributions and their relevance,帧
Why factuality (85): The article provides detailed information about the exhibition 'Vlasta Delimar: Riječani, provjerite jeste li živi' including the gallery location, curator names, and thematic focus. The facts align with the cross-source consensus as similar details appear in other articles about exhibitions at Gall
Why objectivity (90): The article maintains a largely objective tone, focusing on the themes and significance of Delimar's work without overt bias. It avoids strong emotional language and presents the exhibition as an important cultural contribution. The language remains descriptive rather than evaluative.
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