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It’s Hard to Imagine a TV Show More of Its Moment Than This … Network Procedural?
United States🏛️ PoliticsProgressiveOverlooked by conservatives2 hr. ago

It’s Hard to Imagine a TV Show More of Its Moment Than This … Network Procedural?

This article discusses the television show 'Cupertino,' created by Robert and Michelle King, known for their previous work on 'The Good Wife' and 'The Good Fight.' The show focuses on the challenges posed by Big Tech and follows a lawyer named Michael Price, played by Mike Colter, who starts a firm to defend individuals against powerful technology companies. The Kings have long been critical of large corporations, particularly in the tech sector, and 'Cupertino' represents their most direct exploration of this theme. The article highlights the creators' background, including Robert King's past experiences with sensitive topics involving international relations, and notes how the show reflects current societal concerns about the influence of major tech firms.

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3 reports

Los Angeles Times logoLos Angeles TimesIndependent🔒Center2 hr. ago
Who is Billy Evans? Elizabeth Holmes’ partner emerges as the villain of ‘You Can See Everything’

The article discusses Billy Evans, the former partner of Elizabeth Holmes, the convicted fraudster behind the failed biotech company Theranos. Evans, from a wealthy San Diego hotel family, remained by Holmes' side during her legal troubles and is now raising their two children while pursuing his own biotech ventures. In the documentary 'You Can See Everything,' Evans is portrayed as controlling and volatile, with moments of erratic behavior. The article explores Evans' background, including his education at MIT and his family's involvement in the hospitality industry. It also covers how he met Holmes at a party in 2017 and the initial skepticism from his family regarding their relationship.

Bias read (Center): The article provides a balanced overview of Billy Evans, focusing on factual information about his background, relationship with Elizabeth Holmes, and current activities. There is no clear ideological framing or biased language; the content remains descriptive and neutral.

The Atlantic logoThe AtlanticIndependent🔒Center2 hr. ago
You Can Believe Everything

The article discusses two separate but thematically linked events: Elon Musk's dramatic demonstration of Tesla's new Roadster prototype and the release of the documentary 'You Can Believe Everything,' focusing on Elizabeth Holmes and her failed biotech startup Theranos. Musk showcased the Roadster performing aerial stunts using air thrusters, claiming it would become a real product despite delays and technical challenges. The article questions whether Musk's promises are realistic or overly optimistic. Meanwhile, the documentary portrays Holmes as someone driven by a relentless desire to innovate, even as her past failures loom large. The piece draws parallels between Musk's ambitious claims and Holmes' belief in her role as a 'builder' in Silicon Valley.

Bias read (Center): The article presents both events neutrally, highlighting the skepticism around Musk's claims and the portrayal of Holmes' motivations without overtly favoring one perspective over the other. No explicit ideological framing or biased language is used.

Slate logoSlateIndependentProgressive3 hr. ago
It’s Hard to Imagine a TV Show More of Its Moment Than This … Network Procedural?

This article discusses the television show 'Cupertino,' created by Robert and Michelle King, known for their previous work on 'The Good Wife' and 'The Good Fight.' The show focuses on the challenges posed by Big Tech and follows a lawyer named Michael Price, played by Mike Colter, who starts a firm to defend individuals against powerful technology companies. The Kings have long been critical of large corporations, particularly in the tech sector, and 'Cupertino' represents their most direct exploration of this theme. The article highlights the creators' background, including Robert King's past experiences with sensitive topics involving international relations, and notes how the show reflects current societal concerns about the influence of major tech firms.

Bias read (Progressive): The article frames the show as a critique of Big Tech, highlighting the creators' long-standing focus on issues related to corporate power and technological ethics. The tone emphasizes the show's alignment with contemporary critiques of Silicon Valley and portrays the protagonists as defenders of 'l

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