The article discusses the work of Austrian dancer and choreographer Philipp Gehmacher, focusing on his new solo performance 'doors open close' at ImPulsTanz in the mumok venue. It highlights his exploration of dance as pure movement without theatrical elements or narrative, emphasizing authenticity. The piece takes place in a former studio of Georgian artist Tolia Astakhishvili, which still displays her objects. Gehmacher examines the essence of dance, questioning whether it is simply bodily movement or if there is a distinct body language. His choreography explores the relationship between the body and space, changing spatial relationships, and the extension of the body through arm movements and shifts in weight. He incorporates spoken elements into his choreography, influenced by his experience as a professor at HZT Berlin, where he observed emerging 'new bodies' that appear both visible and lost.
Bias read (Center): The article focuses on a cultural event related to contemporary dance and does not engage with politically charged topics such as government, elections, or public policy. As such, it is considered apolitical and therefore leans toward the center.




