‘I wanted to yodel’: How renovation transformed three awkward homes

In September 2026, a pair of architects and artists unveiled a striking transformation of a once-overlooked property near Woodhill Mountain, south of Sydney. The project, dubbed the Tree Change House, has garnered attention for its innovative approach to renovating a 1990-era faux colonial-style homestead. Architect Brian Zulaikha and artist Janet Laurence, both known for their work in modernist and contemporary design, purchased the 20,000-square-metre site after selling their home in Balmain. Their vision was to blend the existing structure's potential with a fresh, natural aesthetic, resulting in a home that now reflects a harmonious balance between old and new. The original property featured a mix of architectural styles, including bullnose verandahs and rust-coloured painted timber gable ends. Upon first inspection, Zulaikha admitted he felt compelled to “yodel” at the sight of the heavy, pine-knotted joinery in the kitchen, which he likened to a Swiss chalet rather than a suitable fit for the Australian climate. However, he quickly recognized the underlying strengths of the home, particularly its high ceilings and the way each room connected to the verandah and subsequently to the garden. Laurence, meanwhile, focused on the garden, seeing elements reminiscent of a Japanese temple in the way rooms interacted with the landscape. The renovation process involved stripping away much of the outdated interior while preserving the structural integrity of the original concrete blockwork and rendered brickwork. New steel roofs were installed over the home’s two interconnected wings, allowing for greater flexibility in layout. The main part of the house was designed to resemble a stream, with stone paving running from the front entrance to the rear terrace. Natural tallow wood was used extensively for joinery, flooring, and rafters, giving the space a rustic yet refined appearance. Zulaikha described the overall aesthetic as having a “nuts-and-berries feel,” a term referencing the exposed materials and textures that evoke the work of notable Sydney architects from the 1960s. This style was further enhanced by integrating Laurence’s artwork into the architecture, with pieces displayed near the front door and extending into the kitchen as part of the splashback. The garden was also redesigned to incorporate native plants alongside existing hydrangeas and roses, creating a more contemporary outdoor space. The Tree Change House has since received recognition from the Australian Institute of Australia (NSW regional chapter), winning a commendation in the Residential Architecture, Houses (Alterations and Additions) category. This acknowledgment highlights the successful integration of form and function, showcasing how even the most unconventional properties can be revitalized through thoughtful design choices. The couple’s decision to move to a more rural setting marked a shift in lifestyle, reflecting broader trends among professionals seeking a balance between urban living and natural surroundings. Their experience underscores the potential for architectural innovation in transforming seemingly impractical spaces into functional, aesthetically pleasing environments. The success of the Tree Change House has sparked interest in similar projects, prompting discussions about the value of adaptive reuse in residential architecture. As more homeowners explore ways to enhance their properties, the lessons learned from this renovation offer insights into achieving harmony between historical structures and modern living needs. The project stands as a testament to the enduring appeal of blending traditional elements with contemporary design principles. By focusing on the inherent qualities of the land and existing structure, Zulaikha and Laurence have created a home that not only meets current standards but also honors the past. Their approach offers a model for future renovations, emphasizing sustainability, connectivity with nature, and the importance of recognizing hidden potential in overlooked properties.