How to move mountains: the stories of Rodney Bell and Maia Marshall-Amai

A new book titled Out of the Box highlights the lives and achievements of 25 Deaf and disabled individuals from New Zealand, offering a compelling look at their contributions to society. The publication, authored by Trish Harris, a founding member of Crip the Lit, a collective dedicated to promoting Deaf and disabled voices, features detailed profiles of notable figures such as Rodney Bell and Maia Marshall-Amai. The book serves both as a tribute to their accomplishments and as an educational resource for readers aged 14 and older, aiming to inspire younger generations through their stories. The first part of the book delves into the personal narratives of these individuals, showcasing their unique journeys and challenges. Among the highlighted stories is that of Rodney Bell, a Ngāti Maniapota man whose passion for dance has transcended physical limitations. Bell's journey began after a motorbike accident left him paralyzed from the chest down. Despite this setback, he discovered dance as a means to reconnect with his body and find purpose. Joining Touch Compass, a mixed-ability dance group, allowed him to explore new ways of expressing himself through movement. Bell's experiences abroad, particularly in the United States, were marked by both artistic growth and hardship. After losing his job due to financial difficulties within the dance company he was part of, he faced homelessness in San Francisco. This period profoundly influenced his artistry, leading to the creation of Meremere, a performance piece that reflects on themes of isolation and resilience. In this performance, Bell recounts his time on the streets, drawing parallels between his experience and the presence of a one-legged seagull named Moana, symbolizing a connection to his roots in Aotearoa New Zealand. Following his return to New Zealand, Bell continued to perform globally, using his platform to share stories that resonate deeply with audiences. His approach to dance is holistic, incorporating elements of everyday life into his performances. For instance, he describes how simple actions like making toast can be transformed into dance movements, emphasizing the universality of human expression. The second section of the book provides a comprehensive timeline of key developments in the Deaf and disability communities in Aotearoa New Zealand, spanning from the 1840s to the present day. This historical overview includes significant events such as the Polio epidemic of the 1920s, which increased the number of disabled individuals in the country, and the impact of the rubella epidemic on the birth rate of children with hearing impairments. More recently, the book discusses the establishment of the Health and Disability Commissioner in the 1990s and recent governmental decisions regarding disability support services, including the reversal of restrictions on funding following public pressure from disabled individuals, families, and caregivers. Maia Marshall-Amai, another profiled individual, exemplifies the spirit of innovation and perseverance within the Deaf community. Her contributions highlight the importance of accessibility and inclusion in various sectors, from education to employment. Through her efforts, she has advocated for policies that ensure equal opportunities for Deaf individuals, challenging societal norms and fostering greater understanding and acceptance. The book not only celebrates the achievements of these individuals but also underscores the ongoing struggles they face within a society that often overlooks their needs. By sharing their stories, Out of the Box aims to foster empathy and awareness, encouraging readers to recognize the value of diversity and the strength found in overcoming adversity. As the narrative unfolds, it becomes clear that each person featured in the book represents a broader movement toward inclusivity and recognition of the rights of Deaf and disabled individuals in New Zealand.