Nearly 50 museums and cultural institutions rebuilt after the Zagreb and Petrinje earthquakes

Novi listIndependentCenter20 hr. ago

The Ministry of Culture and Media in Croatia has reported that nearly 50 cultural institutions, including museums, libraries, archives, and related spaces, have been restored in Zagreb and seven surrounding counties using multiple funds. These restorations were carried out after the Zagreb and Petrinja earthquakes. The ministry noted that restoration efforts continue for some sites, and the number of restored buildings will increase once all projects are completed. In Zagreb, notable projects include the Museum of Applied Arts, the Gliptotheca, and the Museum of Art and Crafts. Recent completion includes the opening of the Mimara Museum, which was one of the most complex and expensive restoration projects in Croatia. Other significant restorations include the Croatian Natural History Museum, the Archaeological Museum in Palača Vranyczany-Dobrinović, and the Atelier Meštrović, which reopened with a new permanent exhibition. Restoration work continues on several major projects, including the National Museum of Modern Art and the Croatian Heritage Institute’s premises.

Bias read (Center): The article presents factual information about the progress of cultural restoration projects funded by various sources, including EU funds and state budgets. It does not take a clear ideological stance or emphasize specific political agendas. The focus remains on the technical and administrative进展 (

tportalIndependentCenteryesterday

The article reports on the ongoing restoration efforts of numerous museums and cultural institutions in Zagreb and Petrinja following earthquakes. It highlights that the number of restored sites will increase significantly once all restoration work is completed. In Zagreb, major projects include the Museum of Applied Arts (Muzej Mimara), the Gallery of Paintings (Gliptoteke), and the Museum of Art and Crafts. The Ministry of Culture and Media notes that several institutions, such as the Croatian Natural History Museum and the Archaeological Museum in Palača Vranyczany-Dobrinović, have been partially or fully restored using EU funds and state budget resources. The restoration of the Meštrović Pavilion has reached its final phase, featuring the reconstruction of the reinforced concrete-glass central dome with the original barrel vault. Other projects include the complete restoration of seven out of eight buildings of the Croatian Academy of Sciences and Arts, the opening of the renovated HAZU gallery in Medvedgradskaya Street, and the completion of the renovation of the neo-Renaissance palace at Zrinjevac built in 1884, which houses the Strossmayer Gallery of Old Masters. Several key

Bias read (Center): The article presents a factual account of the restoration efforts of cultural institutions funded by both EU and national budgets. While it emphasizes the scale and complexity of these projects, there is no overt ideological leaning or emphasis on specific political agendas. The tone remains neutral