ON
← Back to feed
For the members of Barbie’s Cradle, it feels like they never really left
PH🏛️ Politics3 days ago

For the members of Barbie’s Cradle, it feels like they never really left

Barbie’s Cradle, an alternative rock band based in the Philippines, has maintained a strong sense of unity and musical synergy over the years despite changes in their lineup. The band formed in the late '90s, transitioning from Hungry Young Poets under the leadership of Barbie Almalbis. Members joined gradually, including bassist Rommel dela Cruz in 1998 and drummer Wendell Garcia, who initially attended a casual jam session before being invited to join permanently. Guitarist Kakoy Legaspi, previously part of Rivermaya, became a member after impressing the band during an impromptu performance. The band's chemistry is described as effortless, with members able to perform seamlessly without extensive rehearsals, highlighting their deep connection and musical compatibility.

For the members of Barbie's Cradle, it feels like they never really left. This sentiment is palpable during their performances, where an unspoken understanding binds them together on stage. As they step onto the platform, the band members seem to instinctively know exactly what to do, relying on a deep-rooted connection that has developed over the years. Their harmonious presence is not the result of extensive rehearsals or discussions prior to each show; rather, it emerges naturally, almost as if guided by an invisible thread that ties them together. This seamless collaboration is evident in their interactions offstage as well. Conversations between the members reveal a camaraderie that transcends mere friendship, echoing the shared experiences of years spent together. They often reminisce about past events, allowing listeners to glimpse into their collective history without needing explicit explanations. The ease with which they recall these moments highlights the depth of their bond, suggesting that time has not dulled their connection but rather enriched it. The journey of Barbie's Cradle began in the late '90s when the band transitioned from being known as the Hungry Young Poets under the leadership of Barbie Almalbis. During this period, new members joined the fold, reshaping the band's identity. Rommel dela Cruz became the bassist in 1998, following which the search for a new drummer commenced after Franklin Benitez departed. A chance encounter led to Wendell Garcia joining the band, initially as a casual participant who eventually became a pivotal figure in shaping the band's sound. His contribution marked a significant shift in their musical direction, introducing elements that were previously absent. Kakoy Legaspi, who was part of Rivermaya at the time, also found his way into the band through spontaneous performances. His ability to seamlessly integrate into the existing dynamic showcased his talent and opened doors for further collaborations. The addition of Kakoy solidified the band's structure, enabling them to explore new creative avenues without the constraints that had previously limited their expression. As a four-piece ensemble, the band discovered a newfound freedom in their music-making. Each member brought unique strengths that complemented one another, creating a balanced yet dynamic sound. The synergy among them allowed for greater flexibility in composition and improvisation, reducing the need for constant communication during performances. This intuitive approach to music has remained consistent despite the passage of time, reinforcing their commitment to artistic integrity and mutual respect. The recent resurgence of Barbie's Cradle marks a return to the stage after a lengthy hiatus. Despite the absence of new material for over two decades, the band continues to craft stories through their music, reflecting both personal growth and evolving perspectives. Their upcoming projects promise to delve deeper into themes that resonate with contemporary issues while maintaining the essence of their earlier works. As they prepare for future endeavors, the members remain focused on preserving the authenticity that defines their artistry, ensuring that their legacy endures for generations to come.

How each side covered it

The same event, grouped by the political lean of the outlets covering it.

How each side covered it

Support independent, bias-aware news and unlock the social pulse, community voting, and your personalized For You feed.

Become a Supporter

Covered around the world

The same event as reported in other countries.

Covered around the world

Support independent, bias-aware news and unlock the social pulse, community voting, and your personalized For You feed.

Become a Supporter

Claims check

Key factual claims, and how many sources assert vs dispute each.

Claims check

Support independent, bias-aware news and unlock the social pulse, community voting, and your personalized For You feed.

Become a Supporter

Go to the primary sources (1)

The official sources this coverage is built on. Read them directly to bypass framing.

1 reports

Rappler logoRapplerIndependentCenterFactual 65Objective 703 days ago
For the members of Barbie’s Cradle, it feels like they never really left

Barbie’s Cradle, an alternative rock band based in the Philippines, has maintained a strong sense of unity and musical synergy over the years despite changes in their lineup. The band formed in the late '90s, transitioning from Hungry Young Poets under the leadership of Barbie Almalbis. Members joined gradually, including bassist Rommel dela Cruz in 1998 and drummer Wendell Garcia, who initially attended a casual jam session before being invited to join permanently. Guitarist Kakoy Legaspi, previously part of Rivermaya, became a member after impressing the band during an impromptu performance. The band's chemistry is described as effortless, with members able to perform seamlessly without extensive rehearsals, highlighting their deep connection and musical compatibility.

Bias read (Center): The article focuses on the history and dynamics of a music band, discussing their formation, lineup changes, and musical collaboration. There is no mention of political figures, policies, or events, nor any framing that suggests a political stance. The content is purely cultural and does not engage,

Why these scores (Factual 65 · Objective 70): Factuality is moderate as the article provides some historical context about the band's formation and evolution but lacks specific dates or sources to verify claims. Objectivity is generally good, though there's a slight promotional tone in describing the band's dynamic.

Keep the news honest.

ObjectiveNews is reader-funded and ad-free — we show you the bias instead of hiding it. Support independent journalism for €5/month.

Become a Supporter

Related stories