In the evening, the central market square in Vaška, near the church, was filled with people gathered for the premiere of the documentary film Trukinja (Koruza). The film, directed by Valter Stojšić and co-authored by Viviana Brkarić, focuses on the disappearing Istrian-Romanian or Vlach language. Both creators were present at the screening, offering insights into their work. The film was shot near Mount Učko, and according to Brkarić, only around fifty people still speak the language today. The project explores the vanishing folk traditions of Istria, ranging from traditional practices to what they describe as “paranormal” customs. This focus has been central to their filmmaking efforts for years, and both have played key roles in the Ekomuseum Vlaški Put in Šušnjevica. They aimed to capture living testimonies of the language and preserve its corpus, while also documenting customs that are no longer practiced. “The audience could see customs that have not been performed for 40 or 50 years. Today, everything is done with machines, but in the film, you can see how people once used the koruza, played, cooked, carved, and all the things they did with it,” Brkarić explained. Stojšić, who hails from Pučinj, has spent many holidays in the Istrian countryside and developed a deep appreciation for its diversity. He has produced over twenty documentaries focusing on Istria and its forgotten relics of the past. However, he faced challenges at the beginning of this project. “I didn’t understand the Istrian-Romanian language, and during filming, I often had to ask Viviana what people were saying. Now, I understand the language much better, and my new projects are easier,” he said. His goal is to document Istria in all its unique aspects, preserving its linguistic heritage, old trades, and customs. The Vaška market in Krkavče proved an ideal setting for film screenings. The duo behind Trukinja is also responsible for the small-scale success of Kino Istra, a series of documentaries. One such film, Ali je elektrika ubila štrige? (Did Electricity Kill the Goblins?), was filmed in 2017. The director, Christian Kolazio, passed away shortly after the premiere, but the team managed to travel across Istria, from Opatija to Koper. Twenty-five witnesses participated in the film, and Brkarić noted that through them, the entire linguistic wealth of Istria was captured, along with creatures that entertain or terrify us, such as the sea, goblins, witches, and orcs. The team later filmed a second part titled Medižije kontra štrigarije, which they hope to show at Kino Istra. They are currently working on a third film in the same vein, inviting all Istralians to share their untold stories of encounters with the fourth type of beings. The evening in Krkavče concluded with another Kino Istra screening of Filicej, directed by Franet Pekic. The film presents a humorous and occasionally unsettling portrait of his nonagenarian protagonist, a man completely devoted to his work with the land and animals.
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Movies that document the wealth of IstriaA documentary titled 'Trukinja' was screened at a full central square in front of a local church, focusing on the nearly extinct Istro-Romanian or Vlach language and its associated folklore. The film, directed by Valter Stojšić and Viviana Brkarić, was shot under Mount Učka and highlights traditional customs related to corn, which are no longer practiced today due to modernization. The filmmakers aim to preserve the language and cultural practices by recording testimonies from native speakers. Both creators are involved with the Ekomuseum Vlaški puti in Šušnjevica and have produced multiple documentaries about Istria's forgotten relics. They are currently working on a third film about Istrian 'shrikes,' having previously made 'Ali je elektrika ubila štrige' (Did Electricity Kill the Shrikes?), which explored local legends and traditions.
Bias read (Center): The article discusses cultural preservation efforts focused on a minority language and traditional practices in Istria. There is no political controversy, ideological framing, or partisan emphasis present in the content. It is purely informative about a cultural project and does not take a stance on
Why factuality (85): The article reports on a documentary film titled 'Trukinja' focusing on the declining Istrian-Romanian language and traditional practices. It mentions the filmmakers Valter Stojšić and Viviana Brkarić, their work with the Ekomuzeja Vlaški puti, and details about the filming location near Mount Učko.
Why objectivity (75): The article presents the story of the filmmakers and their project in a descriptive manner, but there is some emotional language when describing the decline of traditions and the urgency of preserving them. While it remains largely factual, the tone slightly leans towards emphasizing the importance
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