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Ewa Aulin, Giuseppe Conte's mother-in-law: An actor jumped on me, but I didn't report it. The Mee Too has served to give us courage
Italy🏛️ PoliticsCenter9/1/2026

Ewa Aulin, Giuseppe Conte's mother-in-law: An actor jumped on me, but I didn't report it. The Mee Too has served to give us courage

Ewa Aulin, an actress who starred in the 1967 film 'Col Cuore in Gola' directed by Tinto Brass, is set to attend the Venice Film Festival's preview screening of the restored version of the film. In an interview with La Stampa, she reflects on her early career, which began at age 17 and ended at 20 due to personal choices and family pressures. She recalls a traumatic experience during filming in Spain where an actor attempted to sexually assault her but was unsuccessful. At the time, she chose not to report the incident, believing no one would believe her. However, she credits the #MeToo movement with empowering women to speak out against such abuse. Aulin also comments on Giuseppe Conte, the former Italian Prime Minister and husband of her daughter Olivia Paladino, describing him positively as a good father and partner.

Ewa Aulin, mother of Olivia Paladino and in-law of Italian Prime Minister Giuseppe Conte, has spoken publicly about her experience working with director Tinto Brass on the 1967 film Col cuore in gola. The restored version of the movie will be shown during the Venice Film Festival’s pre-opening event this year. Aulin, who was just 17 when she starred alongside Jean-Louis Trintignant, described her early career as both thrilling and overwhelming. She began acting as a child, achieving small and large successes before deciding to step away from the industry at age 20. Her decision came after years of travel, work, and exhaustion, and following her husband’s disapproval of her profession. Aulin recounted how she felt fortunate to have worked with Tinto Brass, describing him as kind and supportive. He treated her like a father figure, which made her feel valued and respected. Despite the positive memories, she admitted that leaving the film world was difficult. She expressed regret over abandoning her career, particularly because she missed the creative expression it offered. “My work is missing, especially the need to express myself,” she said, reflecting on the emotional toll of stepping away from acting. In a revealing moment, Aulin detailed an incident that occurred during filming in Spain. An actor attempted sexual assault on her while she was alone in her room. According to her, the attacker tried to force himself upon her but failed. At the time, the makeup artist told her that no one would believe her story, especially since she was young and far from home. As a result, Aulin chose silence, believing it was the wisest course of action. However, she later realized that her decision had been misguided. “It wasn’t right,” she said, acknowledging the lasting impact of the experience. Aulin credited the #MeToo movement with giving women the courage to speak out against such abuses. She emphasized that today, victims would likely take legal action rather than remain silent. “The MeToo movement has served a purpose,” she stated. “Now, things are changing. I would have reported everything.” This sentiment reflects a broader shift in societal attitudes toward gender-based violence, particularly within the entertainment industry. Beyond her personal experiences, Aulin also shared her views on Giuseppe Conte, her son-in-law. She described him as a caring father and devoted partner, noting that he is well-suited for family life. When asked about his political career, she suggested that public discourse should be grounded in thorough research and understanding. “Before discussing politics, one must know, study, and inform oneself seriously,” she advised. Her comments highlight the intersection of personal history and public life, offering insight into the private sphere of a prominent political figure. Aulin’s reflections underscore the ongoing challenges faced by women in male-dominated industries and the importance of advocacy movements like #MeToo in fostering safer environments. As the Venice Film Festival approaches, her participation in the screening of Col cuore in gola serves as a poignant reminder of both her past and the progress made in addressing historical injustices.

How this report was made. Objective News wrote this report from 2 source articles, using AI-assisted synthesis under our methodology. It is our own text, not a copy of any single outlet. Read our methodology.

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2 reports

la Repubblica logola RepubblicaIndependent🔒CenterFactual 90Objective 859/1/2026
Tinto Brass in Venice, stubborn and contrary: "With heart in throat" is the tribute of the exhibition

The article discusses Tinto Brass's relationship with the Venice Film Festival, highlighting his provocative approach to erotic cinema and his evolving acceptance by the festival. It notes that while Brass was once controversial for showcasing nudity and challenging institutional norms, he has been increasingly recognized, including through a special screening of his restored film 'Col cuore in gola' at the 2023 Venice Film Festival. The piece includes quotes from Brass reflecting on his artistic philosophy and past experiences at the festival, such as the controversy surrounding his film 'L’urlo.'

Bias read (Center): The article presents a balanced overview of Tinto Brass's career and his relationship with the Venice Film Festival, focusing on historical context and personal reflections rather than taking a clear ideological stance. While it acknowledges the controversy around Brass's work, it does not frame the

Why factuality (90): This article provides detailed information about Tinto Brass’s participation at the Venice Film Festival, including his history with the festival, the restoration of 'Col cuore in gola', and the documentary from 2013. These details match the primary source document and provide accurate historical an

Why objectivity (85): The article maintains a neutral and informative tone, discussing Tinto Brass’s legacy and recent events at the Venice Film Festival without overt bias or emotional language.

Open logoOpenIndependentCenterFactual 85Objective 708/30/2026
Ewa Aulin, Giuseppe Conte's mother-in-law: An actor jumped on me, but I didn't report it. The Mee Too has served to give us courage

Ewa Aulin, an actress who starred in the 1967 film 'Col Cuore in Gola' directed by Tinto Brass, is set to attend the Venice Film Festival's preview screening of the restored version of the film. In an interview with La Stampa, she reflects on her early career, which began at age 17 and ended at 20 due to personal choices and family pressures. She recalls a traumatic experience during filming in Spain where an actor attempted to sexually assault her but was unsuccessful. At the time, she chose not to report the incident, believing no one would believe her. However, she credits the #MeToo movement with empowering women to speak out against such abuse. Aulin also comments on Giuseppe Conte, the former Italian Prime Minister and husband of her daughter Olivia Paladino, describing him positively as a good father and partner.

Bias read (Center): The article discusses a personal account of past sexual misconduct and includes commentary on Giuseppe Conte, a prominent political figure. The framing remains balanced, presenting Aulin’s experiences and opinions without overtly favoring any political stance. The focus is more on personal narrative

Why factuality (85): The article discusses Ewa Aulin’s career, her role in 'Col cuore in gola', and her personal reflections. It references her relationship with Tinto Brass and her decision to leave acting early. These details align with the primary source document, which mentions the film and its connection to Venice

Why objectivity (70): The tone is somewhat subjective, focusing on Ewa Aulin’s personal experiences and emotions. While informative, it leans into narrative storytelling rather than presenting facts in an entirely neutral manner.

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