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Mystery, the absurd and the musical intersect in The Prophecy of the Inn, by the duo Manasseri-Provenzano
AR🎭 Culture8 hr. ago

Mystery, the absurd and the musical intersect in The Prophecy of the Inn, by the duo Manasseri-Provenzano

The article discusses the premiere of 'La Profecía del Albergue,' a new musical thriller by the artistic collective PHEPANDÚ, directed by Nicolás Manasseri and written with lyrics and music by Fernanda Provenzano. The play combines elements of mystery, black comedy, and absurdism, set in a remote lodge by a lake in Santa Fe where a group of characters becomes involved in a chain of unusual events. It follows the classic 'whodunit' format but interprets it through the rhythm and aesthetics of Argentine musical theater. The creators discussed the origins of the project, the strategic importance of having an orchestra on stage, and the challenges of self-managing projects with a defined visual and sonic identity. The play will run for six performances starting September 10 at the Pablo Picasso Hall in Buenos Aires.

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Perfil logoPerfilIndependentCenter8 hr. ago
Mystery, the absurd and the musical intersect in The Prophecy of the Inn, by the duo Manasseri-Provenzano

The article discusses the premiere of 'La Profecía del Albergue,' a new musical thriller by the artistic collective PHEPANDÚ, directed by Nicolás Manasseri and written with lyrics and music by Fernanda Provenzano. The play combines elements of mystery, black comedy, and absurdism, set in a remote lodge by a lake in Santa Fe where a group of characters becomes involved in a chain of unusual events. It follows the classic 'whodunit' format but interprets it through the rhythm and aesthetics of Argentine musical theater. The creators discussed the origins of the project, the strategic importance of having an orchestra on stage, and the challenges of self-managing projects with a defined visual and sonic identity. The play will run for six performances starting September 10 at the Pablo Picasso Hall in Buenos Aires.

Bias read (Center): The article focuses on a theatrical production and does not engage with politics, policy, or public figures. There is no framing or slant detectable in the content.

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