AustraliaThe article is an opinion piece lamenting the shift from longer-running TV seasons (typically 22-25 episodes) to shorter, eight-episode formats. The author recalls their teenage experience with 'The O.C.', which aired weekly and allowed for deeper engagement with characters and plots. They argue that modern shows, while sometimes high quality, lack the depth and continuity provided by extended runs. The author suggests that longer seasons allow for stronger character development and narrative arcs, which are harder to achieve in shorter formats. They reference specific examples like 'New Girl' and compare older classics such as 'Friends' and 'Seinfeld' to newer shows like 'Succession' and 'The White Lotus', arguing that the latter are too brief to foster meaningful connections.
Bias read (Progressive): The article frames the issue as a cultural and artistic decline due to changes in TV production models, suggesting that longer seasons provide better storytelling. While not overtly political, the critique of current trends implies a preference for traditional, more immersive content, aligning with左
