Dori Ghezzi and the Salvini controversy to Agnata: You don't kick someone out of a concert because they have different ideas

Dori Ghezzi, wife of late singer-songwriter Fabrizio De André, has spoken publicly about the controversy surrounding Matteo Salvini’s presence at a concert held in memory of her husband at the Agnata farm. The incident occurred during a performance by singer Diodato, which was intended as a tribute to De André. However, the event turned into a political flashpoint after a spectator criticized Salvini's attendance, leading to a confrontation that disrupted the atmosphere of the concert. The dispute began when a woman left the venue following her objection to Salvini's presence, prompting a reaction from part of the audience. Ghezzi, who was present with the deputy premier, chose to intervene and encourage calm. This action sparked discussions within the De André family, particularly after a video posted online by Alice, Ghezzi’s niece, criticizing the continued celebration of De André in light of his political views. In an interview with La Stampa, Ghezzi emphasized her stance against excluding individuals from public spaces simply because they hold different political opinions. She stated, “I have defended a principle. I said that one should not be thrown out of a concert because their ideas differ.” Ghezzi clarified that she did not seek to defend Salvini or his political positions, but rather expressed disappointment over the interruption of the concert. She noted that Diodato had been performing with great intensity and respect for De André, making it crucial to preserve the atmosphere of the event. Ghezzi further explained that while disagreement and criticism are legitimate, the idea of expelling someone due to differing viewpoints is unacceptable. She argued that democracy thrives on diversity of thought, stating, “I don’t believe democracy can survive only among people who think alike.” Her comments contrasted sharply with those of her niece, Alice, who had accused those continuing to honor De André of ignoring his critical stance toward power. Ghezzi rejected this interpretation, insisting that De André was not a symbol to be protected solely through political allegiance. Instead, she viewed him as a complex figure whose music spoke to the marginalized and excluded. According to Ghezzi, even those distant from De André’s ideological position could engage with his work and perhaps begin to reflect on its meaning. The setting of the event added another layer of sensitivity. The Agnata farm, where the concert took place, holds deep personal significance for Ghezzi and De André. It was the home where both lived and the site of their 1979 kidnapping. Today, it operates as an agriturismo visited by fans seeking to connect with the life of De André. For Ghezzi, maintaining this space as open and inclusive is essential, especially given its historical importance. She believes it should remain a place for dialogue rather than a shrine guarded by specific political affiliations. During the concert, Diodato himself acknowledged his distance from certain political perspectives but stressed his desire to ensure that no one was excluded from engaging with De André’s music. He hoped that the songs might still offer insight into politics, even for those holding opposing views. Ghezzi echoed this sentiment, framing the incident not as a defense of Salvini, but as a reaffirmation of the need for De André’s legacy to continue being heard and debated, regardless of political alignment.