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Coni Marino and the kisses: an adventure between boleros and interactivity with the spectator
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Coni Marino and the kisses: an adventure between boleros and interactivity with the spectator

The article discusses the upcoming performance 'A propósito de los besos' by Coni Marino, which blends scientific inquiry with personal anecdotes and bolero music. The show, directed by Alfredo Megna and featuring Leandro 'Pitu' Marquesano, aims to explore the science and emotions behind kissing through interactive elements and musical references. Marino emphasizes the importance of engaging directly with the audience, breaking the fourth wall, and using familiar songs like 'Bésame Mucho' to maintain attention during the 55-minute presentation. The piece highlights the creative process behind the show, including compromises made between using well-known versus lesser-known tracks.

Coni Marino is set to take the stage at the Caras y Caretas venue in Buenos Aires with her new performance titled A propósito de los Besos, Indagaciones pseudocientíficas de besuqueo. The show, which begins on Saturday, August 22, at 7:30 PM, promises a unique blend of scientific inquiry and personal storytelling, all wrapped in the nostalgic embrace of bolero music. Directed by Alfredo Megna and featuring piano arrangements by Leandro “Pitu” Marquesano, the production aims to bridge the gap between academic analysis and emotional connection through interactive elements designed to engage the audience directly. The performance will unfold over approximately 55 minutes, during which Marino, known for her work in entertainment and lifestyle journalism, will explore the science behind kissing while weaving in her own experiences and emotions. She describes herself as an “investigating scientist” who has dedicated time to studying the phenomenon of kissing, yet admits that her personal feelings often disrupt the structured narrative. This duality, between empirical research and spontaneous desire, is central to the show’s appeal. According to Marino, the presentation will include references to well-known boleros such as Bésame Mucho, chosen not only for their familiarity but also as a means to provide the audience with moments of respite amid more technical explanations. Marino explains that the inclusion of these songs was initially a point of contention between her and Megna. While she had hoped to feature less commonly known tracks, the director argued that familiar melodies would help maintain the audience’s attention throughout the performance. Ultimately, she acknowledges that the selected pieces turned out to be “fantastic,” blending seamlessly into the overall atmosphere of the show. The decision reflects a broader effort to balance intellectual curiosity with accessibility, ensuring that even those unfamiliar with the genre can find enjoyment in the experience. To further enhance the sense of interaction, Marino plans to incorporate a space within the venue where attendees can photograph and share images related to the theme of kissing. Additionally, a golden book will be available for visitors to sign, creating a tangible record of the evening’s engagement. These elements underscore the show’s commitment to fostering a direct dialogue between performer and audience, breaking down traditional barriers between the two. Marino also expresses optimism about attracting a younger demographic, noting that her daughter, who studies at the University of Buenos Aires, shared the event flyer with classmates. Several students have already purchased tickets, suggesting a growing interest among younger audiences. This shift indicates a potential evolution in how cultural performances are consumed, with younger generations increasingly drawn to experiences that combine education with entertainment. The performance is part of a larger trend in live arts that emphasizes audience participation and emotional resonance. By integrating scientific discourse with personal anecdotes and musical tradition, Marino’s show challenges conventional formats, offering a multifaceted exploration of human intimacy. As the night unfolds, the audience will be invited to reflect on the complexities of love, desire, and connection, not just through words, but through shared moments of laughter, reflection, and perhaps, even a kiss.

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Coni Marino and the kisses: an adventure between boleros and interactivity with the spectator

The article discusses the upcoming performance 'A propósito de los besos' by Coni Marino, which blends scientific inquiry with personal anecdotes and bolero music. The show, directed by Alfredo Megna and featuring Leandro 'Pitu' Marquesano, aims to explore the science and emotions behind kissing through interactive elements and musical references. Marino emphasizes the importance of engaging directly with the audience, breaking the fourth wall, and using familiar songs like 'Bésame Mucho' to maintain attention during the 55-minute presentation. The piece highlights the creative process behind the show, including compromises made between using well-known versus lesser-known tracks.

Bias read (Center): The article focuses on cultural entertainment and artistic expression rather than political issues. It presents information about a theatrical performance without taking a partisan stance or promoting ideological positions. The tone remains neutral, focusing on the creative aspects of the event and藝

Why factuality (85): The article provides specific details about Coni Marino's upcoming performance of 'A propósito de los Besos' at the Caras y Caretas venue in Buenos Aires, including the date and time. It also mentions Alfredo Megna as the creator and Leandro 'Pitu' Marquesano as the pianist. These details align with

Why objectivity (90): The article presents the information in a largely neutral and promotional tone, focusing on describing the event and Coni Marino’s perspective without overt bias or emotional language. It avoids taking sides or injecting personal opinion beyond quoting Marino herself. The language remains profession

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