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BJP workers repaint Kolkata’s Academy of Fine Arts ticket counter saffron
India🏛️ PoliticsLean Conservative11 days ago

BJP workers repaint Kolkata’s Academy of Fine Arts ticket counter saffron

The Bharatiya Janata Party (BJP) repainted the ticket counter at Kolkata’s Academy of Fine Arts back to saffron on Wednesday, reversing changes made by theatre personalities who had previously painted over the saffron color with white paint. This followed a July 6 incident where Hindutva group members had initially applied saffron to the ticket counter, prompting criticism from BJP legislators. Actor and BJP legislator Rudranil Ghosh led the repainting effort, accusing the CPI(M)-affiliated theatre community of disrespecting the saffron symbol and neglecting the maintenance of the heritage institution. Ghosh claimed that the CPI(M) sought to maintain control over the institution’s trade union wing and criticized the lack of permission from the trust board for the recent alterations. Earlier, theatre figures had raised concerns about the color change and sought intervention from the state BJP president, Samik Bhattacharya, who had previously vowed to address unauthorized saffron-painting activities.

Kolkata's iconic Academy of Fine Arts continues to be embroiled in controversy over the repeated painting of a security room in saffron and white. The latest incident occurred on August 12, 2026, when the Bharatiya Janata Party (BJP) led by MLA and actor Rudranil Ghosh repainted the room saffron after it had been briefly turned white by theatre practitioners. This follows a similar act earlier in July when the room was painted saffron by members of a Hindutva group, prompting protests from local artists. The Academy of Fine Arts, established in 1933 by Lady Ranu Mukherjee and Maharaja Prodyot Kumar Tagore, has long served as a cultural landmark in Kolkata. Initially housed in a room borrowed from the Indian Museum, it eventually moved to its current location on Cathedral Road, adjacent to the Rabindra Sadan. The institution boasts a vast collection of artworks by renowned figures such as Rabindranath Tagore, Abanindranath Tagore, Nandalal Bose, Jamini Ray, Gaganendranath Tagore, and Ramkinkar Baij. Its galleries span 6,300 square feet and include an auditorium and conference center used for major cultural events. In early June, the security room was painted saffron, drawing attention from the public and sparking protests from theatre artists. A group of artists gathered outside the Academy and staged a demonstration on June 10, 2026. On June 13, 14 theatre artists, including Bibhash Chakraborty, Arup Roy, Chandan Sen, Sourav Palodhi, and Arun Mukhopadhyay, wrote letters to BJP state president Mr. Bhattacharya and Chief Minister Suvendu Adhikari, condemning the action as an un-artistic and politically motivated move. They argued that the decision was an attack on Bengal’s cultural heritage and called for accountability. Following these protests, CPI(M) leader Bikas Ranjan Bhattacharya and others repainted the room white on August 11, 2026. In response, BJP representatives, led by Ghosh, returned to the site the next day and reverted the color back to saffron. Ghosh accused the CPI(M) of attempting to maintain control over the institution through its affiliated trade union, CITU, and criticized them for disregarding the significance of saffron as a symbol of sacrifice. He claimed that the CPI(M) leaders were not concerned with the maintenance of the art galleries, which require urgent renovation. Arup Roy, secretary of the Aneek Theatre Group, expressed frustration over the politicization of the issue. He stated that the repeated changes in color represented an attempt at dominance and warned that the theatre community would continue to resist such actions. Meanwhile, BJP state president Mr. Bhattacharya denied involvement in the political maneuvering, stating that the party does not engage in such activities. He reiterated his stance that the unauthorized painting of the room was unacceptable and vowed to identify and take action against those responsible. The controversy reflects broader trends under the BJP’s governance in West Bengal, where government buildings, streets, and civic structures have undergone a visual transformation. Since taking power in May 2026, the administration has introduced a saffron-and-white color scheme, replacing the previous blue-white combination favored by the ruling Trinamool Congress. Trials have included decorating the historic Writers’ Building with saffron bulbs, as the government plans to relocate the state secretariat to this site. Road barricades and signboards have also been updated to align with the new aesthetic. As tensions persist, the Academy of Fine Arts remains a focal point for debates over cultural identity and political influence. With ongoing protests and conflicting claims, the situation shows no signs of resolution, leaving the institution at the center of a larger ideological struggle.

2 reports

Hindustan Times logoHindustan TimesIndependentConservativeFactual 80Objective 6511 days ago
BJP workers repaint Kolkata’s Academy of Fine Arts ticket counter saffron

The Bharatiya Janata Party (BJP) repainted the ticket counter at Kolkata’s Academy of Fine Arts back to saffron on Wednesday, reversing changes made by theatre personalities who had previously painted over the saffron color with white paint. This followed a July 6 incident where Hindutva group members had initially applied saffron to the ticket counter, prompting criticism from BJP legislators. Actor and BJP legislator Rudranil Ghosh led the repainting effort, accusing the CPI(M)-affiliated theatre community of disrespecting the saffron symbol and neglecting the maintenance of the heritage institution. Ghosh claimed that the CPI(M) sought to maintain control over the institution’s trade union wing and criticized the lack of permission from the trust board for the recent alterations. Earlier, theatre figures had raised concerns about the color change and sought intervention from the state BJP president, Samik Bhattacharya, who had previously vowed to address unauthorized saffron-painting activities.

Bias read (Conservative): The article frames the BJP's actions as a restoration of national symbols (saffron), while criticizing the CPI(M)-aligned theatre community for allegedly undermining these symbols. The language emphasizes the BJP's commitment to cultural preservation and national identity, contrasting with the CPI(M

Why factuality (80): This article provides clear details about the repainting incident, including specific dates, names, and quotes from involved parties. It corroborates the timeline and actors mentioned in the first article, supporting the cross-source consensus. The mention of the establishment date and the role of t

Why objectivity (65): The article shows a clear bias towards the BJP, especially in the quotes attributed to Rudranil Ghosh. It frames the actions of the CPI(M)-aligned theater personalities as disrespectful and lacking permission, suggesting a political motive rather than presenting a balanced view.

The Hindu logoThe HinduIndependentCenterFactual 75Objective 6011 days ago
Saffron to white to saffron again: No end to controversy over painting of Kolkata’s Academy of Fine Arts

Kolkata's Academy of Fine Arts has become a focal point of political controversy due to repeated changes in the color of a security room within its premises. Initially painted saffron, the room was repainted white by artists and CPI(M) leader Bikas Ranjan Bhattacharya, only for the BJP-led government to repaint it saffron again shortly after. This incident reflects broader efforts by the BJP, now in power in West Bengal, to alter the visual identity of government buildings and public spaces, replacing the previous Trinamool Congress-era blue-white scheme with saffron-and-white. The Academy, established in 1933, holds significant cultural value, housing works by prominent Bengali artists. The controversy highlights tensions between political factions and concerns over the preservation of cultural heritage.

Bias read (Center): The article presents the sequence of events neutrally, detailing actions taken by both CPI(M) and BJP representatives without overtly favoring either side. While the political motivations behind the color changes are implied, the narrative remains balanced, focusing on the factual timeline and the各方

Why factuality (75): The article accurately reports the sequence of events involving the color changes at the Academy of Fine Arts, including the involvement of different political groups and the historical background of the institution. It references specific dates and names, aligning with the cross-source consensus. H

Why objectivity (60): The article presents a somewhat biased perspective, particularly in its portrayal of the CPI(M) and the actions of the BJP. It includes direct quotes from BJP officials that frame the situation in a way that suggests political motivation, rather than presenting both sides equally.

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