We were at the premiere of the Croatian horror film:
The article discusses the premiere of a new Croatian horror film titled 'Štrigun,' which draws inspiration from Istrian folklore about supernatural beings called 'Štriguni.' These creatures are said to be similar to witches and vampires, known for stealing children. The film connects these mythical entities with the abduction of a child and a biologist researching longevity in a genetic laboratory. Directed by Aldo Tardozzi, the film features notable actors such as Rade Šerbedžija, Tihana Lazović, Jadranka Đokić, and Kemal Rizvanović. During an interview, Šerbedžija discussed his role as a character named Martin, describing him as eccentric and emphasizing the importance of giving such characters depth and relatability. He also expressed personal fears about the future of civilization, the well-being of children, and the state of the planet for future generations.
Croatia has launched its first major horror film with the premiere of Štrigune (The Strigas), directed by Aldo Tardozzi. The film premiered at Zagreb’s Kinoteka on October 19, 2026, and will screen nationwide starting October 22. Based on Istrian folklore, the movie blends myths of strigas, immortal beings believed to steal children at night, with themes of immortality and scientific experimentation. Tardozzi described the film as an ambitious project combining local legends with high-quality practical and visual effects. He emphasized the collaboration with international actors and the effort to bring Croatian horror to the forefront. The cast includes Rade Šerbedžija, Tihana Lazović, Jadranka Đokić, Ozren Grabarić, Reinout Bussemaker, Lucija Rukavina, Jelena Lopatić, Antonio Scarpa, and child actor Relja Borović, making his film debut. Bosnian-Herzegovinian actor Kemal Rizvanović leads the ensemble, playing Boris Grabar, a curious doctor obsessed with both strigas and the search for eternal life. Šerbedžija discussed his character, describing him as a peculiar figure typical of horror films. He noted how such characters often appear ordinary yet perform extraordinary acts. When asked what he fears most today, Šerbedžija expressed concern over the future of civilization, the fate of children, and the state of the planet and human lives ahead. The film marks a return to horror in Croatian cinema, a genre previously underrepresented. It merges traditional folklore with modern science fiction elements, aiming to captivate audiences with both storytelling and technical execution.
The article discusses the premiere of the Croatian horror film 'Štrigune' directed by Aldo Tardozzi, highlighting its unique blend of folklore and special effects. The film features a cast including Rade Šerbedžija, Tihana Lazović, and Kemal Rizvanović, who plays a curious doctor exploring legends of shtriguns, mythical creatures said to steal children, and the quest for immortality. The article provides background on the rarity of horror films in Croatian cinema and emphasizes the production's creative efforts. It also includes quotes from Tardozzi and mentions the film's release date.
Bias read (Center): The article focuses on a cultural event, the premiere of a horror film, with no mention of politics, policy, or public figures. There is no framing or slant detectable in the content.
The article discusses the premiere of a new Croatian horror film titled 'Štrigun,' which draws inspiration from Istrian folklore about supernatural beings called 'Štriguni.' These creatures are said to be similar to witches and vampires, known for stealing children. The film connects these mythical entities with the abduction of a child and a biologist researching longevity in a genetic laboratory. Directed by Aldo Tardozzi, the film features notable actors such as Rade Šerbedžija, Tihana Lazović, Jadranka Đokić, and Kemal Rizvanović. During an interview, Šerbedžija discussed his role as a character named Martin, describing him as eccentric and emphasizing the importance of giving such characters depth and relatability. He also expressed personal fears about the future of civilization, the well-being of children, and the state of the planet for future generations.
Bias read (Center): The article focuses on a cultural event, a film premiere, and includes quotes from an actor discussing both his role and personal reflections. There is no explicit political commentary, framing, or bias evident in the content. The discussion of fears relates to general concerns rather than specific政治或
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