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Bernhard Aichner: When I write, I sometimes feel like crying [premium]
Austria🎭 Culture

Bernhard Aichner: When I write, I sometimes feel like crying [premium]

The article discusses author Bernhard Aichner's creative process behind his new thriller installment in the 'Totenfrau' series, which follows the character of Bestatterin Blum. Aichner explains that he was inspired to continue the trilogy after the success of the Netflix adaptation and encouragement from actress Anna Maria Mühe, who portrays Blum in the series. He emphasizes that Blum is not portrayed as a villain but as someone driven by necessity rather than malice, aiming to create a sympathetic figure who kills to protect herself and her children. The narrative explores themes of guilt, trauma, and the struggle to live with past actions, delving into Blum’s unresolved childhood issues. Aichner acknowledges the emotional weight of writing such intense scenes, noting moments where he felt close to tears while crafting the story.

Martin Suter, a Swiss author based in Zurich, has expressed his view that artificial intelligence serves more as a researcher than a creative force. His upcoming book, set for release at the end of October 2026 by Diogenes Verlag, will be discussed in detail during a conversation with Marlene Auer in the Vienna Hofburg. This interview highlights Suter’s reflections on his work, including how he finds inspiration and what activities he engages in outside of writing. The discussion with Suter contrasts sharply with the experiences of Bernhard Aichner, an Austrian thriller writer known for his “Totenfrau” series. Aichner recently shared insights into his new novel, “Totenfrau. Die Rückkehr,” which continues the story of the character Blum. The narrative explores themes of revenge, guilt, and the darker aspects of human nature. Aichner revealed that the continuation of the trilogy was partly influenced by the success of a TV adaptation featuring actress Anna Maria Mühe. He emphasized that Blum, despite her violent past, seeks justice and is driven by a desire to protect herself and her children. Aichner described the emotional toll of writing the book, admitting he sometimes feels close to tears while working on the story. He explained that Blum, though a murderer, is portrayed as a complex character who struggles with morality and redemption. Aichner's personal connection to death, stemming from childhood experiences as a pallbearer and later employment in a funeral home, influences his writing. He believes this background allows him to approach the subject of mortality with a unique perspective, finding peace in accepting life’s inevitable end. The book, priced at €27.50, will be available through Rowohlt publishing. Aichner is scheduled to appear at Thalia Wien-Mitte on September 22, offering readers further insight into his work. Meanwhile, other literary figures such as Anna Baar are also making their mark, with her novel “Amseln” exploring relationships and memories with poetic precision. These discussions reflect broader trends in contemporary literature, where authors delve deeply into psychological and ethical complexities.

How this report was made. Objective News wrote this report from 3 source articles, using AI-assisted synthesis under our methodology. It is our own text, not a copy of any single outlet. Read our methodology.

Responsible editor: Matej BašaSpotted an error? Report it

3 reports

Die Presse logoDie PresseParty-aligned🔒CenterFactual 90Objective 80
Bernhard Aichner: When I write, I sometimes feel like crying [premium]

The article discusses author Bernhard Aichner's creative process behind his new thriller installment in the 'Totenfrau' series, which follows the character of Bestatterin Blum. Aichner explains that he was inspired to continue the trilogy after the success of the Netflix adaptation and encouragement from actress Anna Maria Mühe, who portrays Blum in the series. He emphasizes that Blum is not portrayed as a villain but as someone driven by necessity rather than malice, aiming to create a sympathetic figure who kills to protect herself and her children. The narrative explores themes of guilt, trauma, and the struggle to live with past actions, delving into Blum’s unresolved childhood issues. Aichner acknowledges the emotional weight of writing such intense scenes, noting moments where he felt close to tears while crafting the story.

Bias read (Center): The article focuses on cultural production, specifically literature, and does not engage with politics, policy, or public figures in any significant way. It provides a neutral discussion of the author's motivations and creative choices without taking a stance or showing bias toward any political side.

Why factuality (90): The article accurately reports on Bernhard Aichner’s new book 'Totenfrau. Die Rückkehr' and includes direct quotes from the author. The context around the continuation of the series is explained clearly, including the influence of the Netflix adaptation. No false or misleading information is present

Why objectivity (80): While the article presents the author’s views objectively, there is a slight leaning toward emphasizing the dramatic elements of the story, such as the themes of guilt and trauma. This may subtly influence reader perception, though it remains mostly neutral overall.

Kurier logoKurierParty-alignedCenterFactual 85Objective 90
Martin Suter: 'AI is only the researcher'

The article features an interview with Swiss author Martin Suter, conducted by Marlene Auer at the Vienna Hofburg. Suter discusses his creative process, sources of inspiration, and activities outside of writing. His new book, set to be published by Diogenes Verlag in late October 2026, is highlighted. The piece emphasizes Suter’s personal insights into his work and life beyond literature.

Bias read (Center): The article focuses on cultural content related to an author's creative process and personal life, which is generally apolitical. There is no discussion of politics, governance, or public policy, making the subject non-contested. The framing remains neutral, focusing on literary and personal aspects

Why factuality (85): The article provides basic biographical information about Martin Suter and mentions his upcoming book release, but lacks specific details about the content of his work or any direct quotes from him. It does not make unsubstantiated claims, though it is brief and lacks depth compared to other sources

Why objectivity (90): The tone is neutral and journalistic, focusing on presenting facts about the author and his new book. There is no evident bias or emotional language, and the article frames the interview as an opportunity for readers to learn more about the author.

Heute logoHeuteIndependentCenterFactual 80Objective 95
Culture today

The article features a segment from 'Kultur Heute erLesen Spezial' where host Heinz Sichrovsky interviews bestselling author Bernhard Aichner. Aichner is set to release his long-awaited continuation of the 'Tote Frau' crime series titled 'Die Rückkehr' in August 2026, focusing on themes of revenge, guilt, and human darkness. Also featured is author Anna Baar, who has published her new novel 'Amseln,' which explores relationships, memories, and the subtle cracks in life through poetic and precise language. The discussion highlights literary perspectives on connections between people and the factors that separate them.

Bias read (Center): The article focuses on cultural content related to literature and does not address politically charged topics such as government, politics, or public policy. It presents information about book releases and authors without any overt ideological framing or emphasis on partisan viewpoints.

Why factuality (80): The article gives a general overview of Bernhard Aichner’s new book and mentions Anna Baar’s novel 'Amseln.' However, it lacks detailed specifics about either book’s content or themes. It is concise and avoids making unsupported claims, aligning with the broader consensus found in other articles.

Why objectivity (95): The tone is highly neutral and informative, providing a straightforward summary of both authors’ works without editorializing or showing preference for one over the other. It maintains balance and avoids subjective language.

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