Antonio Pagudo: "The present has so many elements of the Theatre of the Absurd that it scares"

Antonio Pagudo, a Spanish actor known for his role in the popular television series La que se avecina, has returned to his theatrical roots with a modern reinterpretation of Alfred Jarry’s classic play Ubu Rex. This production, which will tour Spain throughout the summer, explores themes that resonate deeply with contemporary political and social dynamics. Pagudo, born in Baza in 1977, reflects on how the absurdity depicted in Jarry's work mirrors today's reality in ways that can be unsettling. The actor describes Ubu Rex as a satirical portrayal of power and leadership, elements that have become increasingly relevant in modern politics. He notes that politicians over the past century have embraced the chaotic and often ridiculous aspects of such narratives, embedding them into public discourse. Pagudo explains that while the original play was a farce, its themes have evolved into a realistic depiction of current events. The production has made minimal changes to the original script, primarily adjusting the language to reflect contemporary speech patterns. However, he emphasizes that the absurdity present in today's world already provides ample material for the performance without significant alterations. Pagudo highlights the importance of humanizing characters who might otherwise appear monstrous or detached from everyday life. He believes that focusing solely on the negative traits of powerful individuals would make them unrelatable and unappealing to audiences. Instead, he aims to connect with the audience by emphasizing shared human experiences—such as vulnerability and emotional struggles—that transcend political divides. This approach allows viewers to see leaders not just as figures of authority but as complex beings capable of doubt and regret. The actor also touches on the societal shift away from irony and toward a culture of literalism, which he argues does not benefit collective well-being. He advocates for the value of humor as a means of healing and reflection, suggesting that laughter helps release anxieties and aspirations. Pagudo believes that society has lost some of its ability to find joy in everyday moments, leading to a pervasive sense of frustration and negativity. He encourages a return to finding positivity and focusing on improving one's surroundings rather than being consumed by constant criticism. Reflecting on his career transition from television to theater, Pagudo acknowledges the need for reinvention after years of success in La que se avecina. His journey began with formal training in dramatic arts at the RESAD in Madrid, where he studied gesture and performance. He joined the Yllana company early in his career before the opportunity to work in television arose unexpectedly. The experience of portraying a memorable character in a long-running series allowed him to establish a strong presence in the public eye, which now enables him to lead a project like Ubu. As the tour progresses, Pagudo hopes to engage audiences with thought-provoking content that resonates beyond the stage. He anticipates that certain lines from the performance will linger with viewers, prompting reflections on topics ranging from political behavior to the obsession with online virality and reliance on digital searches. These discussions, he suggests, could foster deeper understanding and dialogue about the issues shaping modern life. With the summer season approaching, Pagudo's version of Ubu Rex promises to offer both entertainment and insight. By revisiting the origins of his craft, he seeks to remind audiences of the enduring relevance of theater as a medium for exploring the complexities of human nature and society. Through this production, he aims to bridge the gap between historical satire and contemporary realities, inviting spectators to reconsider their perspectives on power, identity, and the role of humor in navigating an increasingly absurd world.