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At the Lido in Venice, an Italian quintet is racing through love, ghosts and horror.
Italy⚽ Sports3 hr. ago

At the Lido in Venice, an Italian quintet is racing through love, ghosts and horror.

The 83rd Venice Film Festival, starting September 2nd, features five Italian films competing for the Golden Lion award. Among them is Nanni Moretti's 'Succederà questa notte,' marking his return after 37 years. Other Italian entries include Marco Bechis' 'Ritorno a Buenos Aires,' Edoardo De Angelis' 'Il fuoco che ti porti dentro,' Andrea Pallaoro's 'The Echo Chamber,' and Paolo Strippoli's 'L’estranea.' Additionally, three other Italian films, 'Dio Ride' by Giovanni Veronesi, 'Nessun Dolore' by Gianni Amelio, and 'Scherzetto' by Mario Martone, are screening out of competition. Moretti's film explores a relationship between two characters meeting at the wrong time, while Pallaoro's entry, based on a script by Bernardo Bertolucci, follows a troubled musician and a physiotherapist. Bechis' film revisits the traumatic history of Argentina’s military dictatorship through the perspective of a former detainee.

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ANSA logoANSAIndependentCenter3 hr. ago
At the Lido in Venice, an Italian quintet is racing through love, ghosts and horror.

The 83rd Venice Film Festival, starting September 2nd, features five Italian films competing for the Golden Lion award. Among them is Nanni Moretti's 'Succederà questa notte,' marking his return after 37 years. Other Italian entries include Marco Bechis' 'Ritorno a Buenos Aires,' Edoardo De Angelis' 'Il fuoco che ti porti dentro,' Andrea Pallaoro's 'The Echo Chamber,' and Paolo Strippoli's 'L’estranea.' Additionally, three other Italian films, 'Dio Ride' by Giovanni Veronesi, 'Nessun Dolore' by Gianni Amelio, and 'Scherzetto' by Mario Martone, are screening out of competition. Moretti's film explores a relationship between two characters meeting at the wrong time, while Pallaoro's entry, based on a script by Bernardo Bertolucci, follows a troubled musician and a physiotherapist. Bechis' film revisits the traumatic history of Argentina’s military dictatorship through the perspective of a former detainee.

Bias read (Center): The article provides a neutral overview of the Italian films competing at the Venice Film Festival. It presents information about each film's plot, director, and thematic elements without taking a clear ideological stance. There is no overt political commentary or biased language used in describing,

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