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’Naš život od Beograda, gdje su nam prijetili smrću, preko Londona i Amerike, do zadnjeg Kralja Leara na Brijunima’
Croatia🏛️ Politikvor 7 Std.

’Naš život od Beograda, gdje su nam prijetili smrću, preko Londona i Amerike, do zadnjeg Kralja Leara na Brijunima’

The article discusses the career and personal life of Croatian actor Rade Šerbedžija and his artistic partner Lenka Udovički, focusing on their work at the Ulysses Theatre on the island of Brač. Šerbedžija reflects on his long-standing role as King Lear, which he has played since 2001, and mentions his upcoming final performance in the 26th season. He describes his deep connection to the character and the emotional investment required. Udovički talks about their collaborative projects, including a new production of Ronald Harwood’s play 'Taking Sides' co-produced with the Sarajevo War Theater SARTR. The interview includes humorous and reflective moments about their relationship and creative journey.

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1 Berichte

Telegram.hr logoTelegram.hrUnabhängigMitteFaktentreue 75Objektivität 60vor 7 Std.
’Naš život od Beograda, gdje su nam prijetili smrću, preko Londona i Amerike, do zadnjeg Kralja Leara na Brijunima’

The article discusses the career and personal life of Croatian actor Rade Šerbedžija and his artistic partner Lenka Udovički, focusing on their work at the Ulysses Theatre on the island of Brač. Šerbedžija reflects on his long-standing role as King Lear, which he has played since 2001, and mentions his upcoming final performance in the 26th season. He describes his deep connection to the character and the emotional investment required. Udovički talks about their collaborative projects, including a new production of Ronald Harwood’s play 'Taking Sides' co-produced with the Sarajevo War Theater SARTR. The interview includes humorous and reflective moments about their relationship and creative journey.

Tendenz-Einschätzung (Mitte): While the article covers cultural and artistic topics, it does not engage with politically charged issues or take a clear ideological stance. The focus remains on the artists’ professional lives and creative processes without overt political commentary or framing.

Warum diese Bewertungen (Faktentreue 75 · Objektivität 60): Factuality is moderate as the article presents specific details about Rade Šerbedžija and Lenka Udovički's artistic work, including their theater productions and collaborations. However, some statements lack verifiable sources, such as claims about their 'burning life' and 'fanatic unyielding belief

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